Clark began his acting career as a founding member and former artistic director of the Atlantic Theater Company in NY. He’s acted in numerous productions with the company including Boys’ Life at Lincoln Center, Mojo, The Night Heron, Sexual Perversity in Chicago, and many others. Other NY stage credits include Aaron Sorkin’s A Few Good Men on Broadway, Unidentified Human Remains (Orphuem) and A. R. Gurney’s The Old Boy (Playwrights’ Horizons)
Gregg moved to Los Angeles in the mid-nineties to pursue film and television work landing recurring roles on “The West Wing,” “Sports Night, “Will and Grace,” “Sex and the City” and “The Shield,” among others. He also appeared in the television movies, “My Sister’s Keeper” for Hallmark, and “Tyson” and “Live From Baghdad” for HBO. He currently co-stars with Julia Louis Dreyfus on the hit CBS comedy “The New Adventures of Old Christine.”
Film acting work includes “Iron Man 2,” “500 Days of Summer,” “Choke,” “Iron Man,” “In the Land of Women,” “In Good Company,” “Spartan,” “State and Main” “Lovely and Amazing, ” “The Human Stain,” “11:14,”“Hoot,”“We Were Soldiers,” “One Hour Photo,” and “Magnolia” and others. He played the role of Hank/Henrietta in Tod Williams’ debut feature “The Adventures of Sebastian Cole” for which he received an Independent Spirit Award nomination.
A dedicated hyphenate, Gregg’s screenwriting debut, “What Lies Beneath” (Dreamworks) starred Harrison Ford and Michelle Pfeiffer and was directed by Robert Zemeckis. His feature directing debut, “Choke,” which he adapted from the novel by Chuck Palahniuk, starred Sam Rockwell and Anjelica Huston. The film premiered at the 2008 Sundance Film Festival, was awarded a Special Jury Prize for Best Ensemble, and was released by Fox Searchlight in 2008. Clark has written or re-written scripts for Universal, Disney, Paramount, Warner Brothers and Fox 2000.
SAG National Board Candidate Statement
SAG member for 21 years and still not crazy about my headshot. It’s a pivotal moment in the industry and our union, the business changing in ways both exciting and deeply troubling. I’m dedicated to the vital and timely effort to give SAG members the dignified, pragmatic and effective leadership they deserve and need immediately if SAG is going to protect the rights of performers in the age of new media. In this rapidly shifting environment the only way individual performers will achieve fair compensation from the multi-national corporations that dominate the AMPTP is to unite and collaborate. www.UniteforStrength.com[podcast]http://uniteforstrength.com/wordpress/wp-content/uploads/2009/09/ufs-clark-gregg-0909021.mp3[/podcast]



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