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SAG Board Appoints National Chair of TV Animation and Basic Cable Animation Negotiating Committee

July 25th, 2010 · Press

SAG National Board of Directors Appoints Bob Bergen National Chair of Television Animation and Basic Cable Animation

Los Angeles, (July 24, 2010) – Screen Actors Guild National Board of Directors, meeting in a one-day video plenary in Los Angeles and New York, named Bob Bergen National Chair of the 2010 Television Animation and Basic Cable Animation Negotiating Committee. Pursuant to Screen Actors Guild policy, the members of negotiating committees are confidential and their names will not be released. Negotiations for a successor agreement to this contract are scheduled to begin September 27, 2010.

In other business, National President Ken Howard reported to the Board regarding the formation of The Presidents’ Forum for One Union – a joint platform with American Federation of Television and Radio Artists (AFTRA) to facilitate development of a process that can lead SAG and AFTRA to form one autonomous union.

Screen Actors Guild’s contingent to The Presidents’ Forum will consist of six SAG members including President Howard as Chair, Secretary-Treasurer Amy Aquino, and four additional members selected from the Guild’s SAG/AFTRA Relations Task Force. The Forum will include a similar group designated by AFTRA.

President Howard said, “This is a positive step toward uniting SAG and AFTRA and good news for our members. The creation of a single performers’ union is overdue, and I’m pleased to be working with Roberta Reardon, who’s been such a champion of that goal.”

The National Board received additional reports including:

National President’s Report

President Howard reported on the very successful and collegial joint Wages and Working Conditions meetings conducted with AFTRA. President Howard attended Wages and Working Conditions meetings in various cities across the country and today commended the hard work and dedication of all Screen Actors Guild members and staff. He further stressed the productive and positive partnership with AFTRA National President Roberta Reardon and the AFTRA team during the joint Wages and Working Conditions process.

Secretary Treasurer’s Report

Secretary-Treasurer Amy Aquino delivered a report on the Guild’s 2010 Year End financials noting better than expected results from the Guild’s expense management program and significantly improved income from investments. Aquino reported a surplus of $329,000 for fiscal year 2010.

Aquino recognized SAG Chief Financial Officer Arianna Ozzanto and her Finance team for their efforts in streamlining the Guild’s financial operations. Aquino credited the SAG Finance Committee and SAG National Executive Director David White’s strategic expense reduction and resource maximization programs for the better than anticipated performance saying, “Early in 2009, David White identified a series of financial concerns amounting to a potential deficit of several million dollars. David’s and the executive team’s quick action to improve SAG’s financial management and to streamline operations resulted in meaningful expense reductions and an even more stable fiscal position.”

The Board also received an unqualified opinion with respect to the audit conducted by the Guild’s accounting firm, PricewaterhouseCoopers.

National Executive Director’s Report

National Executive Director David White commended the hard work of Guild members and staff during the Wages and Working Conditions process and drew particular notice to the effective collaboration of SAG and AFTRA leadership, committee members and staff throughout the process.

White also updated the Board on the successful expense reduction efforts still underway and reported that the organizing team is implementing new campaigns in specific production genres.

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AFTRA takes step toward SAG merger

July 25th, 2010 · Press

AFTRA takes step toward SAG merger

Reardon proposes ‘presidents forum’
By DAVE MCNARY

Leaders of the American Federation of Television and Radio Artists have taken another step toward merging with the Screen Actors Guild.

AFTRA prez Roberta Reardon announced Wednesday that she had proposed to SAG prexy Ken Howard the creation a “presidents forum” – an arrangement under which the leaders of the two performer unions could informally “establish on common vision” for a single union.

The announcement said that the forum would probably meet on an “as needed” basis through 2011.

Howard said in response, “Bringing SAG and AFTRA together is a top priority and I’m delighted that we’re making progress.”

He also said he would discuss the forum with the national board at its meeting this weekend.

Reardon and Howard have both supported the idea of combining SAG and AFTRA and the national boards have expressed support for the notion but the unions haven’t worked out the details. Previous moves to persuade SAG members to support merging have been turned away due to concerns such as SAG losing its identity as any actors union and the difficulties of combining the separate pension ands health plans.

SAG members voted down mergers in 1999 and 2003, when the vote fell just short of the required 60 percent support.

Merger supporters have contended that split jurisdiction in primetime is leading to actors being unable to meet earnings thresholds to qualify for the health plans. They also assert that the combined unions would run more efficiently as a single organization and would have more bargaining clout.

AFTRA angrily split from SAG in 2008 over jurisdictional beefs and negotiated its own primetime deal for the first time in three decades. Under Howard, SAG’s mended fences and the two unions are set to negotiate jointly on a new primetime deal in September.

SAG has 120,000 members while AFTRA has 70,000 including broadcasters and singers. About 45,000 actors belong to both unions.

AFTRA takes step toward SAG merger – Entertainment News, Labor Issues, Media – Variety.

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AFTRA approves joint talks with SAG – Entertainment News, TV News, Media – Variety

February 28th, 2010 · Press

AFTRA approves joint talks with SAG

Org repairs negotiating relationship with guild

By DAVE MCNARY

The American Federation of Television & Radio Artists and the Screen Actors Guild have officially repaired their negotiating relationship by taking a major step toward reconciliation — and joint negotiations — after a few years of hostility.

AFTRA’s national board voted Saturday to approve joint negotiations with SAG, which is already set to begin seven weeks of talks with the companies on its feature-preimetime deal on Oct. 1. AFTRA president Roberta Reardon said in the annnoucement that recent discussions between the performers’ unions had led to the decision by AFTRA to join up again with SAG, two years after AFTRA split off angrily from the guild and both unions negotiated separately.

“I applaud the National Board for taking this important step forward today following our productive discussions with our counterparts at Screen Actors Guild earlier this week, specifically with respect to AFTRA’s heavy negotiating schedule for 2010,” Reardon said. “I look forward to continuing our work with SAG President Ken Howard and the leadership and members of our sister union as we move forward to bargain the strongest possible contracts for professional talent.”

SAG issued a strong endorsement of AFTRA’s action. “It’s terrific news for the memberships of both unions and we look forward to an effective negotiation,” a SAG spokesperson said.

AFTRA said the joint talks would take place under the three-decades-old Phase One agreement between SAG and AFTRA. It also noted that a two-year-old non-disparament agreement — brokered by the AFL-CIO to repair the damaged relationship — would remain in effect.

AFTRA also said the “wages and working conditions” meetings leading up to negotiations have not been scheduled at this time.

The current master feature-primetime contracts for SAG, AFTRA and the DGA with the Alliance of Motion Picture and Television Producers expire on June 30, 2011. The Writers Guild of America’s deal — hammered out in early 2008 after a 100-day strike — expires on May 1, 2011.

Given how contentious the 2007 and 2008 contract negotiations were for the WGA and SAG, there’s great anticipation about the next round of talks, when both sides will come to the table with more info about how new media licensing and distribution are changing the industry’s economics.

AFTRA’s move was not a surprise. SAG announced a month ago on Jan. 31 that it would seek to start joint negotiations with AFTRA.

SAG, AFTRA and the WGA have not yet appointed a negotiating committee. The DGA announced four weeks ago that is had tapped Gil Cates’ to head its negotiating panel for the fourth consecutive time.

SAG’s national board — controlled for the past year and half by the Unite for Strength faction that’s sought to improve relations with AFTRA — has assigned SAG national exec director David White and president Ken Howard the task of mending fences with AFTRA.

Howard won the SAG presidency last fall with a platform that promised better relations with AFTRA — including seeking a merger — as the self-styled moderates gained more control over the 71-member panel, with more than 55%.

SAG has about 120,000 members, and AFTRA 70,000, with about 45,000 thesps holding dual membership. The two performers unions have shared jurisdiction in primetime TV shows that are shot on digital formats, and many of the new shows have opted for AFTRA deals in recent years.

The 2008 split between the unions culminated years of battling over jurisdiction and strategies — with SAG usually opting for the more confrontational approach. AFTRA leaders backed away from joint contract talks with SAG on primetime following a dispute over actors wanting to switch jurisdiction over a soap opera from AFTRA to SAG.

That led to AFTRA concluding a deal a year before SAG in July 2008 — despite SAG’s fervent opposition to ratification.

SAG’s board fired national exec director Doug Allen a year ago partly due to the deterioration in relations with AFTRA and replaced him with White — who reached the same deal on primetime as AFTRA’s last April. The ratification was backed by 78% of guild members who voted.

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SAG approves joint-bargaining with AFTRA

March 13th, 2010 · Press

SAG approves joint-bargaining with AFTRA

March 13, 2010 – 12:03 pm
By Jay A. Fernandez

Labor is one step closer to harmony.

The Screen Actors Guild’s national board today approved a joint negotiating agreement with the American Federation of Television and Radio Artists. The vote was strongly in favor of re-merging for preliminary talks with the AMPTP later this year: 78% to 22%.

The vote was not unexpected. In late January, the SAG national board voted 82% to 18% in favor of a resolution pushing the national executive director and president to seek joint bargaining with AFTRA under the terms of Phase One. That deal, first agreed to in 1981, gives SAG and AFTRA 50-50 weight on the negotiating committee.

Two weeks ago, AFTRA’s national board of directors unanimously approved joint bargaining with SAG on the guilds’ TV-theatrical contracts under the old terms. This action reconstituted the guilds’ long-standing dual negotiating strategy, which AFTRA broke away from in March 2008 during the previous contentious round of bargaining with employers.

After that move, AFTRA quickly cut its own deals with the AMPTP, while SAG waged a long internal war that delayed its contract resolutions for 15 months. When that agreement was finally reached, it included a provision that requires the guild to start seven weeks of contract negotiations with the AMPTP on Oct. 1. SAG and AFTRA’s TV-theatrical contracts expire June 30, 2011.

“I applaud the board’s action,” said SAG president Ken Howard of Saturday’s vote. “Bargaining together is a smart decision and voting up this agreement clearly serves the best interests of all SAG members. I’m grateful to the board and look forward to working with our partners at AFTRA toward a successful negotiation.”

The official SAG motion reads: “It was moved and seconded that the National Board of Directors approves the joint bargaining agreement for the Television/Theatrical Contracts and instructs staff and counsel to finalize the language of the agreement substantially in the form presented.”

Reps from the unions will meet in the coming days to finalize and execute the joint bargaining agreement, which will be similar to that used for last year’s joint negotiations on the commercials contracts.The AFL-CIO facilitated No Raiding/Non-Disparagement agreement signed by both guilds last year will remain in effect for the TV-theatrical bargaining, as well.

http://riskybusiness.blogs.thr.com/2010/03/13/sag-approves-aftra-negotiating-agreement/

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Actors unions move toward joint bargaining agreement

February 27th, 2010 · Press

Actors unions move toward joint bargaining agreement

February 27, 2010 |  5:45 pm
Richard Verrier

Hollywood’s two quarrelsome actors unions took a big step toward ending their blood feud and presenting a united front in upcoming contract negotiations with the studios.

The board of the American Federation of Television and Radio Artists, which represents more than 70,000 actors, recording artists and other performers, voted Saturday to revive a longstanding joint bargaining agreement with its larger sister union, the Screen Actors Guild, which represents 120,000 actors.

The move was widely expected after a change in leadership at SAG last year led to a thawing in relations between the two groups. SAG’s board is now dominated by a group of actors who favor merging the unions.

“I look forward to continuing our work with SAG President Ken Howard and the leadership and members of our sister union as we move forward to bargain the strongest possible contracts for professional talent,” AFTRA President Roberta Reardon said in a statement.

AFTRA pulled the plug on its bargaining partnership with SAG nearly two years ago after the unions sparred over negotiating strategy and turf, freeing AFTRA to bargain its own prime-time TV contract. The fallout severely weakened SAG’s leverage with the studios and allowed AFTRA to secure the lion’s share of contracts for new prime-time TV shows (AFTRA does not negotiate film contracts).

Saturday’s vote, assuming SAG’s board follows suit, clears the way for the two unions to begin joint negotiations with the studios on a prime-time TV contract starting this fall. The unions’ contracts expire in June 2011.

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Actors lose out on health benefits as SAG, AFTRA maintain separate plans

May 16th, 2010 · Press

Actors lose out on health benefits as SAG, AFTRA maintain separate plans

By Richard Verrier, Los Angeles Times
May 14, 2010 | 7:10 p.m.

Fred Ochs’ second career as an actor took off last year. The 62-year-old former software engineer landed gigs on nine TV shows, playing the singing policeman in the crime series “The Mentalist,” Judge Belford in Showtime’s dark “Dexter” and a probate attorney in the A&E drama “The Cleaner.”

Now if he could just get health insurance to go along with the steady work. Ochs’ pulmonologist has urged him to get examined for a shadow on his lungs. Because his acting work is divided between the two actors unions, Ochs will have to pay for the exam himself.

“It was a great year for me, but because of the way my work was split between SAG and AFTRA, I didn’t make enough in either union to qualify,” said Ochs, who lives in Hollywood. “It’s just plain absurd.”

Like children caught in the middle of a parental spat, actors are enduring unintended consequences of a feud that erupted two years ago when the American Federation of Television and Radio Artists suspended its longtime partnership with the Screen Actors Guild to negotiate prime-time TV contracts.

Journeyman actors like Ochs have traditionally earned middle-class wages from playing supporting characters in countless TV dramas, sitcoms and movies.

But now they are finding it increasingly difficult to meet the earnings thresholds required for receiving benefits, which range from about $10,000 to $30,000 a year, because their income is carved up between two unions. Each union has separate health and pension plans, and they don’t allow contributions to be combined.

“People are very, very upset and worried,” said Kevin E. West, founder of the Actors Network, a professional business organization for actors. “It’s a huge problem that affects several hundred working actors.”

The sparring between AFTRA and SAG — over turf and strategy — paved the way for AFTRA to clinch its own contract with the studios, which rushed to embrace the ambitious union as a hedge against the more unpredictable SAG.

As a result, the studios swung many of their labor contracts covering network prime-time TV pilots to AFTRA, an incursion that’s led to near-100% penetration this year when the smaller actors union won contracts for 81 of 83 pilots.

Health coverage wasn’t always a problem.

When SAG dominated prime-time TV contracts, the actors in those shows worked largely under one union roof. But with the landscape now shared by two unions, an actor may work on an older TV series covered by a SAG contract and next take a role on a newer TV series under an AFTRA contract, often not earning enough in either union to meet health plan requirements.

Actors for years have debated merging their unions, but previous attempts in 1999 and 2003 failed, reflecting long-standing mistrust between member factions.

But growing concern over how the status quo is affecting health and pension benefits for actors has renewed the impetus to consolidate the two unions so that a single plan could be offered. Leaders of both have had preliminary discussions about merging.

“Pension and health benefits are a cornerstone of union protection,” SAG President Ken Howard said. “When actors’ work is split between two unions, that protection is weakened or, in the worst cases, eliminated. That’s not acceptable, and it’s one of many reasons merging SAG and AFTRA makes sense.”

AFTRA President Roberta Reardon said gaining leverage in bargaining and union organizing was the driving reason to merge but added: “I completely agree it would be great to have one health insurance policy and one retirement plan.”

That AFTRA, which until recently was pegged as a secondary union for actors who worked mostly on soaps and some cable programs, would emerge seemingly overnight as the go-to union for prime-time TV is a reversal for the more prestigious SAG, which still has exclusive jurisdiction over feature film work.

Although the unions have agreed to resume joint bargaining in the upcoming round of negotiations this fall, actors are still feeling the fallout from the dispute.

“One extra SAG job would have put me over the earnings threshold,” said Ochs, who says he can’t afford to pay $600 a month for private insurance. “It’s a kick in the gut.”

And the kick couldn’t come at a worse time.

Both unions have steadily raised earnings requirements for insurance at a time when reality TV programs have taken away jobs, movie stars increasingly are filling guest star roles on TV shows and the income that actors get from residuals — the fees paid out when shows rerun — has shrunk.

Cost-cutting in Hollywood also has made it much harder for actors to get their “quotes,” the fees that reflect their experience, thereby lowering their earnings and ability to qualify for health insurance.

Beyond earning enough to qualify for insurance, Los Angeles-based actors like Wendy Worthington also complain that the situation is weakening pension benefits.

After a nearly two-decade career playing roles on TV shows including “Desperate Housewives” and “Ghost Whisperer,” Worthington, 55, has earned enough credits to be fully vested in the Screen Actors Guild pension plan. With more TV jobs swinging to AFTRA, however, she has less money to pump into her SAG pension, damping the eventual payout she will receive when she retires.

And because Worthington spent most of her career working in SAG, it’s doubtful she will qualify for AFTRA’s pension plan any time soon.

“I like to joke that I wish they would just send me the cash that I earned under my AFTRA contracts so I could put it in the shredder myself, because it’s just lost money for me,” she said.

http://www.latimes.com/business/la-fi-ct-actors-20100515,0,2216552.story

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SAG making case for AFTRA merger

May 7th, 2010 · Press

SAG making case for AFTRA merger: Guild pushing issue to its members in magazine

By DAVE MCNARY
May 7, 2010

Leaders of the Screen Actors Guild have the urge to merge with AFTRA — without specifying when that might take place.

SAG’s launching a full-on official push to persuade its 120,000 members combine with the American Federation of Television & Radio Artists, devotes a notable portion of the current issue of its SAG Actor quarterly magazine to making the case for merger.

“Since I became president, countless members have asked when we will achieve our goal of a single union for performers,” said president Ken Howard in a letter to members, the first article in the magazine. “The experiences of recent years have given performers valuable insight into the true costs of having separate unions and most actors I’ve talked with have expressed a real sense of urgency about fixing the problem.”

Howard, who was elected last fall on a pro-merger platform, said the protection and services that SAG provides — compensation, contract enforcement, safety, access the health and retirements benefits — can be strengthened by a merger.

At present, there have been no formal steps taken between SAG and AFTRA to take another run at merging.

AFTRA has more than 70,000 members. About 45,000 members belong to both unions.

The SAG Actor magazine, which began hitting member mailboxes this week, also contains a report from the SAG/AFTRA relations task force, which concludes, “By combining our strengths, we can adapt and thrive in a shifting marketplace. By coming together as one, we can more powerfully protect the SAG and AFTRA members who work so hard to turn their inspiration into reality.”

Merger’s not a slam dunk since both unions must approve the proposal by over 60% of those casting ballots. SAG members derailed merger votes in 1999 and 2003 with opponents contending that SAG would lose its unique identity as an actors union and citing the difficulties in combining the health and retirement funds.

SAG First VP Anne-Marie Johnson, a member of the task force, has already hinted she’ll oppose a merger. And she said in her column in the magazine that she opposed the task force report.

“Any talk, from either union, regarding merger or the creation of a ‘new union’ is premature and somewhat presumptuous,” she added. “Neither the task force nor SAG’s national board has held any serious detailed discussions regarding merger since 2004.”

SAG’s merger push comes a month after AFTRA top officers launched a renewed campaign to create a single performers union with national scope.

In a two-page letter to members in the spring edition of AFTRA Magazine, the union’s five top officers laid out a case for why SAG and AFTRA need to join forces to deal with dramatic marketplace changes and to better serve their respective members.

Some SAG members have been strongly opposed to any kind of merger with AFTRA because of criticism that AFTRA has accepted lower wages and less beneficial working terms for actors and performers than SAG. In 2008, there was open warfare between SAG and AFTRA as the two negotiated separate contracts for primetime TV work for the first time in nearly 30 years — leading to AFTRA reaching a deal a year earlier than SAG and signing nearly all new TV series.

The two unions will jointly negotiate the primetime deal starting in October. Howard, who has used his tenure to repair relations with AFTRA, was been named to chair SAG’s negotiating committee in late April.

Read the full article at:

http://www.variety.com/article/VR1118018895.html

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Wages & Working Conditions Process 2010

May 17th, 2010 · Press

Wages & Working Conditions Process 2010

ATTENTION ALL AFTRA and SCREEN ACTORS GUILD MEMBERS

American Federation of Television and Radio Artists and Screen Actors Guild are pleased to announce the beginning of the Joint Wages & Working Conditions (W&W) process in preparation for the negotiation of the AFTRA Exhibit A and SAG TV/Theatrical Contract. This contract will expire on June 30, 2011, and early negotiations are scheduled to commence in September or October 2010.

Proposals for this important negotiation are developed through the involvement of members like you.

There are four ways to make your voice heard:

  • AFTRA Exhibit A and SAG TV/Theatrical Contract Caucuses: Join your fellow members to discuss what really matters! Open to all paid-up AFTRA and SAG members, the caucuses are open sessions where you can raise issues regarding the AFTRA Exhibit A and SAG TV/Theatrical Contract provisions that you feel should be addressed in the upcoming negotiations. Input from the caucuses informs the proposals that will be developed by the Joint Wages & Working Conditions Committee.
  • Joint Wages & Working Conditions Committee Meetings: These formal meetings use the information and ideas gathered from the caucuses to create proposals for the 2010 contract negotiations.
  • Email Suggestions: Can’t make it to a caucus or committee meeting? You can still play an active part by emailing your ideas to or wandw2010@aftra.com or wandw2010@sag.org.All proposal recommendations will be reviewed by the Joint Wages & Working Conditions Committee and inform the Committee’s final recommendations to the AFTRA and SAG National Boards.
  • On-site Suggestion Box: Feel free to drop-in your contract-related thoughts and concerns in suggestion boxes available at both AFTRA and SAG in New York and Los Angeles.

AFTRA members may use suggestion boxes available in the 9th Floor Membership Department at the AFTRA office at 5757 Wilshire Boulevard in Los Angeles and in the 7th Floor Membership Department at the AFTRA office at 260 Madison Avenue in New York.

SAG members may use suggestion boxes available in the 7th Floor reception areas at the SAG offices at 5757 Wilshire Boulevard in Los Angeles and 360 Madison Avenue in New York.

Note: Upcoming dates for the Joint Caucuses and W&W meetings in Los Angeles and New York will be emailed soon. Local and regional Branch members should contact your Local or Branch staff and visit the AFTRA or SAG Web sites for local dates and times.

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SAG, AFTRA presidents form merger forum

July 27th, 2010 · Press

SAG, AFTRA presidents form merger forum

Unit supplements committee already discussing union combo

By Carl DiOrio and Gregg Kilday, Hollywood Reporter
July 25, 2010, 12:54 AM ET

That much-debated merger of SAG and AFTRA just got another nudge toward the front burner.

SAG said Saturday it has agreed to an AFTRA proposal to form a small working group headed by their respective presidents to discuss the possibility of a merger of the actors unions. A larger joint committee already has been batting around a possible SAG-AFTRA combo.

AFTRA and its president Roberta Reardon long have been on record as favoring a merger with SAG. But SAG only recently has shown signs of warming to the idea following a turnover in leadership at the guild.

“This is a positive step toward uniting SAG and AFTRA and good news for our members,” SAG president Ken Howard said. “The creation of a single performers’ union is overdue, and I’m pleased to be working with Roberta Reardon, who’s been such a champion of that goal.”

In 2003, a proposed SAG-AFTRA combo was batted down when 75% of AFTRA members voted to approve the proposal but SAG membership mustered only 58% approval, short of a required 60% “yes” vote by the guild.

In the fall, the unions will begin early joint negotiations with studio reps on their next theatrical and primetime TV pacts, which are set to expire June 30. In a departure from decades of precedent, SAG and AFTRA negotiated their current agreements separately.

Among other actions at the one-day SAG board meeting, Bob Bergen was named national chair of the guild’s negotiating committee on TV animation.

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Hollywood Members: Annual Hollywood Division Membership Meeting, Saturday, June 19 | Screen Actors Guild

June 16th, 2010 · Press

Hollywood Members: Annual Hollywood Division Membership Meeting, Saturday, June 19

Hollywood Members: Annual Hollywood Division Membership Meeting, Saturday, June 19

Hollywood SAG members are invited to attend the annual membership meeting on Saturday, June 19, 2010 at the Sportsmen’s Lodge in Studio City (see schedule below).

The meeting will also include the presentation of the Ralph Morgan Award to actors Gloria Stuart and Paul Napier for their longtime service and dedication to the Guild.

The membership meeting is only open to paid-up SAG members in good standing. Unfortunately, no guests allowed. Parents/guardians of younger performers under 18 years old are welcome. PLEASE BRING YOUR SAG MEMBERSHIP CARD FOR ADMITTANCE (paid thru April 30, 2010). No RSVP necessary. All bags larger than 14″ in any dimension (i.e. backpacks, suitcases, beach bags, etc.) will be prohibited from entry into the meeting. No pets or animals with the exception of service animals in service.

Hollywood Members: Annual Hollywood Division Membership Meeting, Saturday, June 19 | Screen Actors Guild.

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AFTRA Letter – A New Union for a New World

June 15th, 2010 · Press

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